Through her use of found objects in sculptural assemblages, HEYDT exposes the instability of boundaries that separate culture from nature, art from everyday function. In collecting fragments of objects with past lives and social meanings, she interrogates the fixed metaphysical constructs that govern our perception of objects and their attributes. Rather than assume a substantive essence to these items, HEYDT exploits their ambiguity through irrational juxtapositions that subvert normalized contexts of use. This disrupts the flow of signification sustaining the objects' identities and opens new interpretive fields that refigure our understanding. If objects inevitably bear the marks of cultural inscription even at the level of the body, HEYDT's work unveils this process of signification as an unstable construct. Through acts of bricolage that recombine what was once separate, she proliferates avenues for reinterpretation. Her work calls into question the viability of origins, essences and stable identities through a poetic practice of recontextualization and playful semiotic disruption

'Found Art Intervention' is comprised of several series by HEYDT. In "Capitalism will step over your dead body", HEYDT resurrects discarded objects in a spirit of playful irreverence. By bringing new life and imagination to castoffs, her assemblages open pathways to reconfigure social frames and definitions of usefulness. In "Artificial Stage", HEYDT crafts intricate mini-worlds that invite introspection in homage of Joseph Cornell. Arranging diverse detritus to illuminate imagined landscapes, these works spark investigations of identity amid everyday items society deems worthless. In “Tchotchke”, HEYDT challenges our perceptions of commodities by directly altering everyday objects in a conceptual manner. By reframing familiar items, HEYDT highlights commodities as domains awaiting reimagination HEYDT's reframing of items through artistic redesign relates to notions of displacing dichotomies and implementing redepolyment. This challenges viewer interactions with products and facilitates rethinking categorized understandings, prompting critical reconsideration of taken-for-granted commodities. Through repurposing materials others have discarded, HEYDT's conceptual works suggest that challenges need not condemn one to fixed roles or definitions. Her creative rebirth and reframing of "trash" demonstrate how limits can stimulate new expressions of potential beyond what is prescribed