Parallax Frames explores the contradictions and fractures within perception, memory, and history, using the interplay of analog slide film and augmented reality (AR) as a dialectical medium. The project is rooted in the idea of the "parallax view," where meaning shifts depending on the position of the observer, revealing a world that resists singular interpretation. Slide film, with its tangible materiality and nostalgic evocation of the past, becomes a stage for AR interventions that destabilize its permanence. The analog and digital collide, creating a visual tension that mirrors the disjointed realities of our lived experience. This interplay exposes the gaps between what is seen and what is hidden, what is remembered and what is forgotten. Parallax Frames is not about resolution but rupture. It invites viewers to confront the instability of their own gaze, to consider how layers of history, ideology, and technology shape what we see—and how we see it. In this project, the slide becomes a site of critical engagement, where the analog world is both preserved and disrupted by the fluid, shifting nature of the digital. This is not a narrative of nostalgia or progress but a confrontation with the unresolved tensions of our visual and ideological landscapes. Parallax Frames challenges viewers to inhabit the space between the frames, where contradictions collide and new interpretations emerge.